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Abjar E Misk opens with the invigorating zest of Litsea Cubeba, its citrusy brightness akin to the first rays of dawn breaking over a tranquil landscape. This lively introduction is soon embraced by the grounding presence of Cedar, its woody depth reminiscent of ancient forests whispering tales of yore. The Spice Mix adds a warm, aromatic complexity, evoking the rich tapestry of a bustling bazaar where myriad scents intertwine in harmonious chaos. Bois De Rose follows, its subtle floral notes weaving through the spices like a delicate melody, adding a touch of elegance to the composition.
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ARKAN BLEND by Muhammadi Creation Arkan Blend is not simply a perfume oil—it is a quiet revelation. From the very first breath, it becomes clear that this is a composition woven from opposites: light and depth, air and skin, softness and shadow. It does not arrive with loud fanfare, but with the elegant grace of a secret being shared for the first time—something precious, something sacred. The journey begins with a veil of lily of the valley, fresh and sheer, like morning light diffused through the branches of a flowering orchard. Its delicacy is instantly disarming—an invitation to draw closer, to lean in and listen. Just beneath that gentle beginning, neroli rises—bright, bitter-sweet, and alive. The scent is clean and sun-kissed, radiant with citrus blossom but never sharp. It dances around the lily’s pale greenness like light flickering on water, awakening the senses with purity and promise.
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BEHROZ The first encounter Behroz is a captivating dance of Ambergris paste, Musk, and Jasmine Auriculatum. The Ambergris lends a soft, oceanic whisper, a smooth, almost ethereal note that drifts like sea foam on a quiet shore. It is immediately embraced by the warmth of Musk, a velvety undertone that adds depth and sensuality, grounding the airy beginnings. Jasmine Auriculatum blooms within this embrace, its floral sweetness delicate yet powerful, like moonlight illuminating a secret garden
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CIVET HAFRIA by Muhammadi Creation Civet Hafria is not a fragrance that reveals itself easily—it is a ritual, an atmosphere, a slow-burning ceremony that unfolds in layers of shadow and light. It opens not with sweetness or brightness, but with an arresting sense of depth—dense, resinous, and reverent. One breath is enough to transport you to a forgotten sanctuary lit only by amber glow, where the walls are perfumed by centuries and the air carries the weight of unspoken history. The first movement is built on myrrh absolute and benzoin from Laos, forming a resinous backbone that is warm, sacred, and faintly sweet, like golden sap crystallized in silence. The scent is balsamic, not cloying—thick yet surprisingly clean, evoking ancient temples and sun-warmed altars. It doesn’t rise fast; it gathers slowly, almost ceremoniously, drawing you into its rhythm. Labdanum folds in next, adding a leathery ambered richness that gives body and burnished heat to the blend, making it feel worn-in, lived-in, revered.
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DARYOOSH The first breath of Daryoosh is an invitation into the ancient world, led by the deep, resinous note of Myrrh. Its warm, balsamic richness evokes the mystical allure of sacred rituals, where the air is thick with the scent of offerings and the flicker of candlelight. This opening is profound and meditative, drawing the wearer into a quiet, reflective space that feels timeless.
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EAWAD AL ROSA by Muhammadi Creation Eawad Al Rosa is a fragrance born not from trend or convenience, but from reverence—for the forest, the beast, the bloom, and the silence between them. It is a rare blend that reads like a sacred script written in scent, each drop carrying the weight of lineage, mystery, and emotion. There is no polite introduction here—this is a perfume oil that steps forward with sovereign grace, as if drawn from a hidden chest sealed in time, untouched until now. The first breath delivers the unmistakable depth of aged artisanal Hindi oud—a scent not of wood, but of earth, smoke, and leathered soul. It is bold and textured, with the richness of something once wild, now tamed by years of slow oxidation and patient refinement. It speaks in a low voice, but each word carries centuries. Just beneath it, the aged Combodi oud rises—softer, more fluid, honeyed and resinous, weaving itself into the Hindi with a warmth that softens without diluting. The two ouds do not compete; they coexist like dusk and firelight, shadow and glow, one anchoring the other in fragrant duality.
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Emperor’s Musk by Muhammadi Creation This is not a fragrance—it is an atmosphere, a realm, a living memory of ancient earth and imperial grace distilled into scent. The moment it touches the skin, it unfolds not as a composition, but as a legacy—a scent that seems to have existed long before it was bottled, waiting in silence to be awakened. The first impression is profound, marked by the unmistakable presence of Himalayan deer musk. It rises with solemnity, deep and warm, like the hush inside a grand hall carved of stone and shadow. This musk is not loud or animalic—it is aged, tamed, and perfectly restrained, resonating like the low hum of something eternal. It doesn't sit atop the blend, it breathes from within it—an ancient soul beneath a crown of florals.
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ERAJ Eraj greets the senses with a burst of Clove, sharp and fiery, like the first spark of a flame in the dusk. Its spiced intensity awakens the mind, a bold introduction that is soon softened by the golden touch of Osmanthus. This delicate flower, with its sweet, apricot-like aroma, mellows the heat, adding a gentle fruitiness that dances on the edge of the spice. Gardenia Absolute follows, unfolding with creamy, lush petals, its presence like the silken caress of a twilight breeze, smoothing the edges and adding an air of quiet elegance.
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GALIAH ZUNNAH by Muhammadi Creation It is not a perfume oil—it is an unfolding tale written in scent, a labyrinth of sensuality and sacred earth that evolves with the intimacy of breath. This is a blend that resists classification. It is at once feral and floral, wild yet impossibly composed. To experience it is to enter a world where instinct and elegance meet—a place untouched by time, where each note tells a story, and every shift in the blend feels like turning a page in an ancient book written on skin. It opens with a tension, civet and castoreum form the primal core, but instead of screaming with animalic force, they rise like warm shadows—alive, magnetic, and perfectly tamed. Their presence is undeniable, but never crude. They hum beneath the surface, grounding the composition with a physical, bodily warmth that feels as much like memory as it does scent. Almost immediately, a burst of brightness cuts through—citrus and tangerine, not in their usual fresh cheer, but softened, almost candied, like sunlight trapped in resin. This burst brings clarity, an ethereal spark that flashes and then fades into something more profound.
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INFITAR by Muhammadi Creation Infitar is not a fragrance in the traditional sense—it is a breaking open, a soft detonation of memory and matter, soul and smoke. Its name, drawn from the idea of divine rupture, is not metaphor—it is its nature. This is a perfume oil that doesn’t simply unfold; it awakens in phases, each one richer and more visceral than the last. From the first breath, Infitar feels like stepping into a sacred threshold between the physical and the unseen—where the atmosphere is thick, the silence is deep, and something unspoken stirs just beneath the surface. It begins with the grounding presence of oakmoss absolute, ancient and mossy, like forest stone beneath centuries of shadow. It is damp, mineral, deeply textured, evoking the cool darkness of hidden groves where secrets ferment. But even as the earth clings close, benzoin from Sumatra rises with warm resinous sweetness—golden, soft-edged, and comforting, like the scent of ancient scrolls and polished altars warmed by candlelight. Then, olibanum absolute—pure frankincense—enters like smoke lifting from hot embers. It is dry, sacred, and distant, the scent of silence echoing through arched sanctuaries.
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IRISH MAU'N Irish Mau'n opens with the gentle, verdant embrace of Iris, its powdery, elegant note unfolding like a morning mist over a dewy meadow. The Iris, delicate yet profound, evokes a sense of tranquility and timeless beauty, inviting the wearer into a world of serene grace. Its soft floral character is reminiscent of silken petals caressing the skin, creating a tender, ethereal beginning
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Jasarat by Muhammadi Creation Jasarat is not just a perfume oil—it is an act of bold reverence. A quiet defiance against the ordinary. It wears like a moment of still courage—a choice to remember beauty in its oldest form, reawakened through scent. From the very first breath, Jasarat unfolds not as a typical composition, but as a gesture: deliberate, layered, and full of soul. It doesn't begin with noise or glitter. It begins with presence—measured, intentional, unforgettable. The first rise is the resinous glow of benzoin from Sumatra—thick, ambered, and gently sweet, like sacred smoke rising from the altar of memory. It wraps the senses in a golden balm, warm and steady, and then makes room for the arrival of ambergris paste, not airy or marine, but deep, waxen, and mineral-rich. It binds to the benzoin like breath to skin, grounding the composition in something quietly sensual, like parchment warmed by touch. Immediately, the scent feels close—intimate, ceremonial, and noble in its restraint.
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JAWARAT BLEND by Muhammadi Creation It is a dark jewel made of liquid, a perfume oil that doesn’t wear like scent but like inheritance. From the first touch, it possesses a presence that is both regal and intimate, mysterious yet unmistakably composed. It opens not with a flourish, but with weight—an immediate hush, as if a velvet curtain has been drawn back to reveal something rare and centuries old. At its core lies Laos oud, rich and fluid, with that unmistakable Laotian smoothness—less animalic than Hindi, more restrained than Cambodian, yet pulsing with a quiet fire. It breathes warmth and refinement, never sharp, never boastful. Around it moves the graceful density of Musk Sultan, thick and silky, like embroidered velvet brushing across bare skin. It is not an impression of musk—it is musk as it once was, regal and deeply human, melting into the body like something born from within.
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KOI-KHOSROW Koi Khosrow is a legend bottled in gold. Named after the noble and tragic Persian king Kay Khosrow, this blend is a fragrant epic, unfolding in layers of sacred beauty, royal sorrow, and timeless elegance. Inspired by ancient dynasties and whispered poetry, it conjures a scent that feels as if drawn from the pages of a forgotten manuscript — one soaked in rose water and bound in oud.
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MAJARRAH by Muhammadi Creation Majarrah is an olfactory constellation—an intricately choreographed alignment of noble ingredients that seem to orbit one another in quiet precision. It is not a blend that seeks to impress through volume or extravagance, but one that commands attention through balance, elegance, and atmosphere. The very name Majarrah evokes movement along a divine path, and this perfume oil follows its course with grace—never rushed, never loud, always deliberate. From the outset, Moroccan rose rises with poise and authority. This is not a fleeting floral sparkle but a rose that has depth and complexity—honeyed and dry, tinged with the warmth of sun-soaked petals and the quiet dignity of age. It is beautifully offset by the brightness of neroli, which brings a light, citrus-kissed freshness that moves not above, but through the rose, lending it dimension and breathability. Together, they create a luminous opening—floral, but architectural.
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MASHIAT BLEND by Muhammadi Creation Mashiat Blend is a fragrance composed not as a formula, but as an atmosphere—an expression of serenity draped in dignity. It is a composition that doesn’t unfold in conventional pyramids or dramatic arcs. Instead, it surrounds the wearer like an invisible garment—textured, weightless, and quietly regal. The name Mashiat, evoking divine will or graceful decree, is not simply symbolic—it is a reflection of the perfume’s character: composed, assured, and deeply purposeful. The opening is immediate and resonant—oud at its most refined. There is no aggression, no overwhelming smokiness. This oud speaks in softened tones, its woody richness aged and smoothed like polished mahogany. It creates a foundation that is powerful but never heavy, dignified without being austere. Flowing into this is musk, clean yet warm, diffused through the blend like skin lit by candlelight. It doesn’t project—it settles, turning the entire experience into something profoundly intimate and close-wearing.
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MUKHALLAT MAHARAJA by Muhammadi Creation This Mukhallat is a regal composition—an opulent yet restrained blend that speaks in the language of ancient courts, silk-lined chambers, and the weight of legacy. From the first moment it meets the skin, it asserts its lineage. This is not a perfume oil crafted for modern excess or fleeting impressions—it is crafted for presence. For memory. For those who understand that refinement is not flamboyant, but enduring. At the heart of this masterpiece is a triad of ouds—Hindi, Cambodian, and Laos—each distinct, each deeply aged, and each contributing its unique tone to the fragrance's core identity. The Hindi oud arrives first—bold, smoky, dignified—with that unmistakable leathery intensity that sets the tone for what follows. It is ancient wood made aroma, dense and full-bodied. Then, seamlessly, the Cambodian oud introduces a softer edge: slightly sweet, resinous, more golden than dark. It brings warmth to the base, a softened richness. Finally, the Laos oud—smooth, meditative, and softly aromatic—blends everything into coherence. These three do not compete. They layer, they evolve, and together they breathe like incense rising from hand-carved burners in a palace bathed in candlelight.
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MUSK ASHAYER by Muhammadi Creation This oil is a deep, shadowed dream made tangible, a blend carved from primal earth and sacred flame. From the very first breath, it enters not with a flourish but with gravity, like the opening of a heavy, ornate door in a place you’ve never been but somehow remember. This is a scent born from instinct, memory, and smoke—rich in contradiction and refined with the hand of a perfumer who understands that the most powerful creations speak in whispers. The opening stirs with the unmistakable signature of civet musk—raw, animalic, and compelling. But this is not aggression; this is life, unfiltered and close. It pulses through the oil like a heartbeat beneath velvet, sensual and shadowed, grounding everything that comes after in something almost primeval. Into this depth, patchouli enters, not as a green herb but as dark soil—rich, earthy, and soaked with ancient roots. It binds to the civet, like memory clings to skin, and together they create a foundation that feels alive.
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MUSK ITNAAN by Muhammadi Creation Musk Itnan doesn’t unfold—it awakens, as if roused from a velvet dream woven from skin, shadow, and breath. It is not a mere scent; it is a mood—sensual, elusive, and profoundly intimate. From the very first moment it touches the skin, Musk Itnan whispers in the language of closeness, of warmth without heat, of presence without noise. This is not a composition built to impress at a distance; it is designed to draw someone nearer, slowly, irresistibly. The opening is both tender and feral, a dance between opposites that never collide but rather embrace. Civet musk comes forward first—softly animalic, raw, and undeniably human. It stirs something primal, but it never overwhelms. It is immediately tempered by the regal smoothness of Musk Sultan, lending a silk-gloved grace to the instinctive wildness of civet. These musks aren’t loud—they breathe, they blend into skin, they pulse in waves, giving the oil an almost tactile dimension. The result is a musk unlike any other: warm, softly carnal, and deeply grounded.
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NERO OUD by Muhammadi Creation Nero Oud is a study in power restrained by elegance—a fragrance that evokes the commanding presence of ancient empires, yet whispers its legacy in silk and shadow. It is not a blend that announces itself in haste. Rather, it unfurls like an imperial procession: deliberate, timeless, and unforgettable. The composition begins with oud, unmistakable and deeply rooted. But this is no harsh, untamed oud—it is noble, refined, and smooth, aged to perfection. It rises with dignity, offering the scent of dark polished woods, incense smoke trailing from distant corridors, and the air of sacred rituals performed in candlelit halls. The oud doesn’t dominate; it leads. And in its trail follows warmth, story, and soul.
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ORRIS IMKAAN By Muhammadi Creation There are perfumes that merely scent the skin — and then there is Orris Imkaan, a creation that scents the soul. Born from the sacred alchemy of "Muhammad Creation" , this is not a fragrance made by hands alone, but one whispered into being — a tapestry of devotion, mystery, and grace. The moment it touches the skin, a hush falls. You are no longer where you were. It begins in stillness — as the delicate Jasmine Auriculatum and Jasmine Grandiflorum unfurl like silk banners in slow motion. One is green and dew-kissed, almost wild in its clarity; the other is creamy, radiant, and full of moonlight. Together, they bloom not with noise, but with presence — like night flowers opening in silence under the stars.
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OUD AL SHUBRA The first impression of Oud Al Subra is commanding—an unapologetic entrance that floods the senses with the bold, smoky aura of Hindi aged oud. It’s dense and animalic, with leathery, tar-like facets that speak of old-world mastery. There is something ancient in its breath, as if the oil carries the spirit of deep forest groves and ceremonial fires. It grips the air with authority, raw and untamed, pulling the wearer into a meditative state reminiscent of ascetic mystics and Eastern monarchs.
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QADEEM AURA by Muhammadi Creation It is an awakening of instinct and ancestral memory, a return to the raw, unfiltered language of scent as it once was: sacred, sensual, and uncompromising. From the very first breath, it becomes clear that this is not a blend made for the masses—it is a perfume oil for those who seek depth beyond surface, spirit beyond note, and presence beyond perfume. It does not wear like a scent; it settles like a shadow, quiet but impossible to ignore. The opening is immediate and commanding—Himalayan deer musk rises first, warm and dark, not as an aroma but as a pulse. It breathes with an animalic softness, a velvet shadow that clings to skin like the echo of a lover’s voice in an empty room. The musk is neither crude nor softened; it is refined, aged, and perfectly measured. Beneath it, the unmistakable thrum of the civet gives the blend a feral, bodily warmth—intimate, magnetic, and quietly dangerous. This is not perfume for ornaments. This is a scent for those who remember the ancient power of presence.
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SALASA BLEND by Muhammadi Creation It is an opulent immersion, a story told in centuries and shadowed gardens, a convergence of the world’s rarest and most sacred aromatics composed into one unbroken, breathing tapestry. From the very first moment it touches the skin, Salasa Blend reveals itself not as a scent, but as a presence—complex, regal, and utterly spellbinding. It does not open; it arrives, fully formed, like the unveiling of a royal tapestry woven with a thousand silken threads. The heart of this creation is unmistakably rose, but not in any singular voice. Ruh Gulab, with its deeply honeyed richness, anchors the soul of the blend, while Taif rose sings in cool, crystalline high notes—sharp as morning light glinting off marble. Bulgarian rose offers its soft, velvety grace, plush and romantic, while Rose de Mai blooms with dewy freshness, like petals bathed in golden spring sun. The result is not one rose, but the full memory of roses, layered like silk, shadow, and history.