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ORRIS IMKAAN By Muhammadi Creation There are perfumes that merely scent the skin — and then there is Orris Imkaan, a creation that scents the soul. Born from the sacred alchemy of "Muhammad Creation" , this is not a fragrance made by hands alone, but one whispered into being — a tapestry of devotion, mystery, and grace. The moment it touches the skin, a hush falls. You are no longer where you were. It begins in stillness — as the delicate Jasmine Auriculatum and Jasmine Grandiflorum unfurl like silk banners in slow motion. One is green and dew-kissed, almost wild in its clarity; the other is creamy, radiant, and full of moonlight. Together, they bloom not with noise, but with presence — like night flowers opening in silence under the stars. -
KOI-KHOSROW Koi Khosrow is a legend bottled in gold. Named after the noble and tragic Persian king Kay Khosrow, this blend is a fragrant epic, unfolding in layers of sacred beauty, royal sorrow, and timeless elegance. Inspired by ancient dynasties and whispered poetry, it conjures a scent that feels as if drawn from the pages of a forgotten manuscript — one soaked in rose water and bound in oud. -
CIVET HAFRIA by Muhammadi Creation Civet Hafria is not a fragrance that reveals itself easily—it is a ritual, an atmosphere, a slow-burning ceremony that unfolds in layers of shadow and light. It opens not with sweetness or brightness, but with an arresting sense of depth—dense, resinous, and reverent. One breath is enough to transport you to a forgotten sanctuary lit only by amber glow, where the walls are perfumed by centuries and the air carries the weight of unspoken history. The first movement is built on myrrh absolute and benzoin from Laos, forming a resinous backbone that is warm, sacred, and faintly sweet, like golden sap crystallized in silence. The scent is balsamic, not cloying—thick yet surprisingly clean, evoking ancient temples and sun-warmed altars. It doesn’t rise fast; it gathers slowly, almost ceremoniously, drawing you into its rhythm. Labdanum folds in next, adding a leathery ambered richness that gives body and burnished heat to the blend, making it feel worn-in, lived-in, revered. -
INFITAR by Muhammadi Creation Infitar is not a fragrance in the traditional sense—it is a breaking open, a soft detonation of memory and matter, soul and smoke. Its name, drawn from the idea of divine rupture, is not metaphor—it is its nature. This is a perfume oil that doesn’t simply unfold; it awakens in phases, each one richer and more visceral than the last. From the first breath, Infitar feels like stepping into a sacred threshold between the physical and the unseen—where the atmosphere is thick, the silence is deep, and something unspoken stirs just beneath the surface. It begins with the grounding presence of oakmoss absolute, ancient and mossy, like forest stone beneath centuries of shadow. It is damp, mineral, deeply textured, evoking the cool darkness of hidden groves where secrets ferment. But even as the earth clings close, benzoin from Sumatra rises with warm resinous sweetness—golden, soft-edged, and comforting, like the scent of ancient scrolls and polished altars warmed by candlelight. Then, olibanum absolute—pure frankincense—enters like smoke lifting from hot embers. It is dry, sacred, and distant, the scent of silence echoing through arched sanctuaries. -
NERO OUD by Muhammadi Creation Nero Oud is a study in power restrained by elegance—a fragrance that evokes the commanding presence of ancient empires, yet whispers its legacy in silk and shadow. It is not a blend that announces itself in haste. Rather, it unfurls like an imperial procession: deliberate, timeless, and unforgettable. The composition begins with oud, unmistakable and deeply rooted. But this is no harsh, untamed oud—it is noble, refined, and smooth, aged to perfection. It rises with dignity, offering the scent of dark polished woods, incense smoke trailing from distant corridors, and the air of sacred rituals performed in candlelit halls. The oud doesn’t dominate; it leads. And in its trail follows warmth, story, and soul. -
MAJARRAH by Muhammadi Creation Majarrah is an olfactory constellation—an intricately choreographed alignment of noble ingredients that seem to orbit one another in quiet precision. It is not a blend that seeks to impress through volume or extravagance, but one that commands attention through balance, elegance, and atmosphere. The very name Majarrah evokes movement along a divine path, and this perfume oil follows its course with grace—never rushed, never loud, always deliberate. From the outset, Moroccan rose rises with poise and authority. This is not a fleeting floral sparkle but a rose that has depth and complexity—honeyed and dry, tinged with the warmth of sun-soaked petals and the quiet dignity of age. It is beautifully offset by the brightness of neroli, which brings a light, citrus-kissed freshness that moves not above, but through the rose, lending it dimension and breathability. Together, they create a luminous opening—floral, but architectural. -
MASHIAT BLEND by Muhammadi Creation Mashiat Blend is a fragrance composed not as a formula, but as an atmosphere—an expression of serenity draped in dignity. It is a composition that doesn’t unfold in conventional pyramids or dramatic arcs. Instead, it surrounds the wearer like an invisible garment—textured, weightless, and quietly regal. The name Mashiat, evoking divine will or graceful decree, is not simply symbolic—it is a reflection of the perfume’s character: composed, assured, and deeply purposeful. The opening is immediate and resonant—oud at its most refined. There is no aggression, no overwhelming smokiness. This oud speaks in softened tones, its woody richness aged and smoothed like polished mahogany. It creates a foundation that is powerful but never heavy, dignified without being austere. Flowing into this is musk, clean yet warm, diffused through the blend like skin lit by candlelight. It doesn’t project—it settles, turning the entire experience into something profoundly intimate and close-wearing. -
OUD AL SHUBRA The first impression of Oud Al Subra is commanding—an unapologetic entrance that floods the senses with the bold, smoky aura of Hindi aged oud. It’s dense and animalic, with leathery, tar-like facets that speak of old-world mastery. There is something ancient in its breath, as if the oil carries the spirit of deep forest groves and ceremonial fires. It grips the air with authority, raw and untamed, pulling the wearer into a meditative state reminiscent of ascetic mystics and Eastern monarchs. -
MUKHALLAT MAHARAJA by Muhammadi Creation This Mukhallat is a regal composition—an opulent yet restrained blend that speaks in the language of ancient courts, silk-lined chambers, and the weight of legacy. From the first moment it meets the skin, it asserts its lineage. This is not a perfume oil crafted for modern excess or fleeting impressions—it is crafted for presence. For memory. For those who understand that refinement is not flamboyant, but enduring. At the heart of this masterpiece is a triad of ouds—Hindi, Cambodian, and Laos—each distinct, each deeply aged, and each contributing its unique tone to the fragrance's core identity. The Hindi oud arrives first—bold, smoky, dignified—with that unmistakable leathery intensity that sets the tone for what follows. It is ancient wood made aroma, dense and full-bodied. Then, seamlessly, the Cambodian oud introduces a softer edge: slightly sweet, resinous, more golden than dark. It brings warmth to the base, a softened richness. Finally, the Laos oud—smooth, meditative, and softly aromatic—blends everything into coherence. These three do not compete. They layer, they evolve, and together they breathe like incense rising from hand-carved burners in a palace bathed in candlelight. -
GALIAH ZUNNAH by Muhammadi Creation It is not a perfume oil—it is an unfolding tale written in scent, a labyrinth of sensuality and sacred earth that evolves with the intimacy of breath. This is a blend that resists classification. It is at once feral and floral, wild yet impossibly composed. To experience it is to enter a world where instinct and elegance meet—a place untouched by time, where each note tells a story, and every shift in the blend feels like turning a page in an ancient book written on skin. It opens with a tension, civet and castoreum form the primal core, but instead of screaming with animalic force, they rise like warm shadows—alive, magnetic, and perfectly tamed. Their presence is undeniable, but never crude. They hum beneath the surface, grounding the composition with a physical, bodily warmth that feels as much like memory as it does scent. Almost immediately, a burst of brightness cuts through—citrus and tangerine, not in their usual fresh cheer, but softened, almost candied, like sunlight trapped in resin. This burst brings clarity, an ethereal spark that flashes and then fades into something more profound. -
QADEEM AURA by Muhammadi Creation It is an awakening of instinct and ancestral memory, a return to the raw, unfiltered language of scent as it once was: sacred, sensual, and uncompromising. From the very first breath, it becomes clear that this is not a blend made for the masses—it is a perfume oil for those who seek depth beyond surface, spirit beyond note, and presence beyond perfume. It does not wear like a scent; it settles like a shadow, quiet but impossible to ignore. The opening is immediate and commanding—Himalayan deer musk rises first, warm and dark, not as an aroma but as a pulse. It breathes with an animalic softness, a velvet shadow that clings to skin like the echo of a lover’s voice in an empty room. The musk is neither crude nor softened; it is refined, aged, and perfectly measured. Beneath it, the unmistakable thrum of the civet gives the blend a feral, bodily warmth—intimate, magnetic, and quietly dangerous. This is not perfume for ornaments. This is a scent for those who remember the ancient power of presence. -
EAWAD AL ROSA by Muhammadi Creation Eawad Al Rosa is a fragrance born not from trend or convenience, but from reverence—for the forest, the beast, the bloom, and the silence between them. It is a rare blend that reads like a sacred script written in scent, each drop carrying the weight of lineage, mystery, and emotion. There is no polite introduction here—this is a perfume oil that steps forward with sovereign grace, as if drawn from a hidden chest sealed in time, untouched until now. The first breath delivers the unmistakable depth of aged artisanal Hindi oud—a scent not of wood, but of earth, smoke, and leathered soul. It is bold and textured, with the richness of something once wild, now tamed by years of slow oxidation and patient refinement. It speaks in a low voice, but each word carries centuries. Just beneath it, the aged Combodi oud rises—softer, more fluid, honeyed and resinous, weaving itself into the Hindi with a warmth that softens without diluting. The two ouds do not compete; they coexist like dusk and firelight, shadow and glow, one anchoring the other in fragrant duality. -
MUSK ITNAAN by Muhammadi Creation Musk Itnan doesn’t unfold—it awakens, as if roused from a velvet dream woven from skin, shadow, and breath. It is not a mere scent; it is a mood—sensual, elusive, and profoundly intimate. From the very first moment it touches the skin, Musk Itnan whispers in the language of closeness, of warmth without heat, of presence without noise. This is not a composition built to impress at a distance; it is designed to draw someone nearer, slowly, irresistibly. The opening is both tender and feral, a dance between opposites that never collide but rather embrace. Civet musk comes forward first—softly animalic, raw, and undeniably human. It stirs something primal, but it never overwhelms. It is immediately tempered by the regal smoothness of Musk Sultan, lending a silk-gloved grace to the instinctive wildness of civet. These musks aren’t loud—they breathe, they blend into skin, they pulse in waves, giving the oil an almost tactile dimension. The result is a musk unlike any other: warm, softly carnal, and deeply grounded.
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